Andres Serrano, Torture, Collection Lambert, ed. Les Éditions de l’Amateur, Paris, France, 2016, 191p.
Andres Serrano, Salvation : The Holy Land, ed. Hatje Cantz, Berlin, Germany, 2016, 225 p.
Last Words, Photographs by Andres Serrano, author: Gabriele Tinti, ed. Skira, Lausanne, Switzerland, 2016, 104p.
Holy Works, by Andres Serrano, Germano Celant (contribution by), James Frey (contribution by), ed. Damiani Editore, 2012
America and Other Works, by Andres Serrano, Julie Ault (Contribution by), Dian Hanson (Contribution by), Eleanor Heartney (Contribution by), Taschen November 2004
Danto, Arthur Coleman. The Abuse of Beauty: Aesthetics and the Concept of Art (Paul Carus Lectures), February 2003, p. 52.
Grundberg, Andy. "Photography," New York Times. (Book Review) Dec. 7, 2003.
Julius, Anthony, Transgressions: The Offences of Art, Spring 2003.
Jones, Amelia. The Feminism and Visual Culture Reader (Sight: Visual Culture), February 2003, p. 240.
Weintraub, Linda. In the Making: Creative Options for Contemporary Art, July 2003, Excerpt from "Back Matter"
Wuthnow, Robert, Creative Spirituality: The Way of the Artist, July 7, 2003, p. 18.
Weissman, Dick & Leonard, Frank Jermance Hal, Navigating the Music Industry : Current Issues and Business Models, January 2003, p. 45.
Abravanel, Lesley. Frommer's South Florida including Miami and the Keys, August 2002, p.172.
Bell, Brian. Insight Guide Museums and Galleries of New York City (Insight Guides Museums and Galleries Series.), December 2002, p. 38.
Doss, Erika Lee. Twentieth-Century American Art, July 2002, p. 185.
Fiell, Peter & Charlotte. Graphic Design for the 21st Century: 100 of the World's Best Graphic Designers. December 2002, p. 227.
Luc, Virginie. Art a mort: Photographies de Gerard Rancinan, Editions Leo Scheer, Paris, October 2002, pp. 128-133, ills.
Mikul, Chris. Bizarrism: Strange Lives, Cults, Celebrated Lunacy, January 2002, Excerpt from "Back Matter"
Photography Past Forward: Aperture at 50, Aperture Foundation, Inc., New York, 2002, p. 160, illus.
Snoecks 2003, Snoecks N.V., Belgium, 2002, p.254-269, illus.
Strom, Eva. Revbensstaderna, Albert Bonniers Forlag, 2002, cover illustration.
Visions from America: Photographs from the Whitney Musem of American Art, 1940-2001, June 2002.
Warner Marien, Mary. Photography: A Cultural History, Laurence King Publishing, London, 2002, pp. 436 - 437, ills.
Aldrich, Robert & Wotherspoon, Garry. Who's Who in Contemporary Gay and Lesbian History : From World War II to the Present Day (Who's Who), January 2001, p. 478.
Bal, Mieke. Quoting Caravaggio: Contemporary Art, Preposterous History, March 2001.
Beller, Thomas. Open City #12: Equivocal Landscape, 2001, Excerpt from "Front Matter"
Frascina, Francis. Pollock and After: The Critical Debate, February 2001, p. 342.
Freeland, Cynthia. But is it art? New York: Oxford University Press, 2001, illus.
Grey, Alex. The Mission of Art In America, March 2001, p. 48.
Jones, Terry & Tricia. Smile ID: Fashion and Style: the Best from 20 Years of ID, May 2001, p. 592.
Morgan, David. (Editor), Promey, Sally M. The Visual Culture of American Religions, May 7, 2001, p. 28.
Meyer, Peter G. & Danto, Arthur C. Brushes with History: Art of the Nation: 1865-2001, p. 453.
Andres Serrano: Big Women, Marco Noire Editore, Turin, Italy, 2000, illus.
Alexander, Jane. Command Performance: An Actress in the Theater of Politics, May 2000, p. 36.
Elkins, James. What Painting Is, March 2000, p. 70.
Wells, Liz. Photography: A Critical Introduction, March 2000, p. 220.
Gade, Rune. "The Ejaculation Motif: A Discussion of its Iconology in the Light of Works by Andres Serrano," in Symbolic Imprints, ed. by Lars Kiel Bertelsen, Rune Gade and Mette Sandbye, Aarhus University Press, Aarhus, Denmark, 1999.
Hjort, Øystein. Levende Billeder, Christian Ejlers’ Forlag, Copenhagen, 1999, essay + illus.
McDarrah, Gloria S., Fred W. McDarrah and Timothy S. McDarrah, The Photography Encyclopedia, Schirmer Books, New York, 1999, p.444, 445, illus.
Tofts, Darren. Parallax. Essays on Art, Culture and Technology, October, 1999.
The American Art Book, Phaidon Press, London, England, 1999, p 401.
Zapata, Cristóbal. Te Perderá la carne, La (b)onda de David, Ecuador, 1999, cover illustration
Hooks, bell. Wounds of Passion, published by The Women’s Press, 1998, cover illustration.
Napoli, Stéphane. "Le Pouvoir de La Morgue," in Art à contre-corps, Montpellier: Quasimodo - Numéro Cinq, 1998, pp. 169-78, illus.
Nudes 2, published by Graphis Inc., New York, illus.
Rambuss, Richard. Closet Devotions, published by Duke University Press, Durham, North Carolina, 1998, p. 6, 21, 25-26, 32; fig. 4, 8, illus.
Roth, Richard. Beauty is Nowhere: Ethical Issues in Art and Design (Critical Voices in Art, Theory, and Culture), 1998, p. 9.
Townsend, Chris. "Vile Bodies" Photography and the Crisis of Looking, published by Prestel-Verlag, Germany, 1998, illus.
The Citizen Artist: An Anthology from High Performance Magazine, 1978-1998, Volume1, Critical Press, Gardiner, New York, 1998, p.159-171.
Ardenne, Paul. ART: L’Age Contemporain: Une histoire des arts plastiques á la fin du XXe siècle, published by Editions Du Regard, Paris, 1997, illus.
Archer, Michael. Art Since 1960, published by Thames and Hudson Ltd., London,1997, illus.
Balkema, Annette., Slager,Henk. Lier en Boog: Series of Philosophy of Art and Art Therapy, Volume 12, published by Rodopi B.V., Amsterdam, 1997. Lecture transcribed from Groninger Museum, given March 1996, pp. 106-109, illus.
Leonardo Lives, published by the Seattle Art Museum in association with University of Washington Press Seattle and London, 1997, illus. Essays by Trevor Fairbrother and Chiyo Ishikawa.
Mack, Michael. Surface: Contemporary Photographic Practice, published by Booth-Clibborn Editions, 1997, illus.
Andres Serrano - The Morgue, Tel Aviv Museum of Art, Tel Aviv, 1996.
Andres Serrano/Morgue Series, Eitt Sinn Skal hver deyja: dauinn i islenskum veruleika, samstarfsverkefni Mokka og myndadeildar? jo minjasafns Islands, Mokka-kaffi, 3.-30. juni 1996: Ur likhusi, Sjonarholl, 3.-30. juni 1996
Fine Art: Photography, published by Graphis Publishing Company, Zürich, Switzerland, 1995. Text by Robert Delpire, illus. pp.52-55.
Hinson, Tom. Catalogue of Photography, published by The Cleveland Musem of Art, 1996. Forward by Evan H. Turner, p.317, 467, illus.
Lucie-Smith, Edward. Visual Arts in the Twentieth Century, published by Laurence King Publishing, London, 1996, p.381, illus.
Le Thorel-Daviot, Pascale. Petit Dictionnaire: Des Artistes Contemporains, published by Bordas, Paris 1996, pp. 235-236, illus.
Nikado, Amano, Kuraishi. Exploration of Nude Photography, Yokohama Museum of Art, Japan.1995. illus. p. 95.
Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings, edited by Kristine Stiles and Peter Selz. published by The University of California Press, 1996.
The Now Art Book, published by Korinsha Press and Co., Japan, 1996, pp. 122-129, illus.
Weintraub, Linda. Art on the Edge and Over, published by Art Insight, Inc., CT, 1996, pp.159-64, illus.
Aperture - On Location With: Henri Cartire-Bresson, Graciela Iturbide, Barbara Kruger, Sally Mann, Andres Serrano, Clarissa Sligh, Aperture, July 1995.
Fineberg, Jonathan. Art Since 1940: Strategies of Being, Laurence King Publishing, London, 1995, pp. 466, 468.
Haacke, Hans (Visual Artist) & Bourdieu, Pierre Free Exchange, May 23, 1995.
Mazzone, Massimo. Anima E Corpo, published in Rome, 1995.
Passion Privées: Collections Particulieres d'Art Moderne et Contemporain en France, published by Paris-Musées, 1995. illus.
Pultz, John. The Body and The Lens: Photography 1839 to the Present, published by Harry N. Abrams, New York, 1995, p.159, illus.
Soulillou, Jacques. L'impunité de l'art: La couleur des idées, Editions du Seuil, Paris, 1995, pp.17,78-79,121, illus.
Steiner, Wendy. The Scandal of Pleasure published by the University of Chicago Press, 1995.
Wallis, Brian, ed. Andres Serrano: Body and Soul, essays by Bell Hooks, Bruce Ferguson and Amelia Arenas, published by Takarajima Books, New York 1995.
Actes Sud, Andres Serrano Le Sommeil de la Surface, 1994. Texts in French by Daniel Arasse, Jean Louis Schefer, Jean-Michel Rey, Philippe Blon and Stephen Bann, 96 pages, illus.
Fuller, Gregory. Endzeitstimmung: Düstere Bilder in goldener Zeit, Dumont Buchverlag, Köln, 1994.
Quinby, Lee. "Urination and Civilization: Practicing Pissed Criticism," Anti-Apocalypse: Exercises in Genealogical Criticism, University of Minnesota Press, 1994, pp.115-134.
Frascina, Francis. Pollock and After: The Critical Debate, March, 1993, p. 342.
Vivid: Intense Images by American Photographers, Federico Motta Editore, 1993.
Asta Groting, Clegg & Guttmann, Perils et coleres, Exposition du 22 mai au six septembre, published by capcMusaee d'art contemporain de Bordeaux, 1992.
Dubin, Steven. Arresting Images, Routledge, New York, 1992.
6ème Nuit de la Photo, exhibition catalogue, Association Nuit de la Photo, La Chaux-de-Fonds, Suisse, 2017, illus. p.12-15
The Others, exhibition catalogue, König Galerie, ed. Koenig Books, Berlin Germany, 2017, illus. p.176-178
Le Christ au miroir de la photographie contemporaine, author: Nathalie Dietschy, ed. Éditions Alphil - Presses universitaires suisses, Neuchâtel, Switzerland, 2016, 360 p.
Andres Serrano, Uncensored Photographs, exhibition catalogue, preface: Michel Draguet, authors: Nathalie Dietschy, Jan Koenot, Germano Celant, Quentin Bajac, Musées royaux des Beaux-Arts de Belgique, ed. SilvanaEditoriale, Bruxelles, Belgique, 2016, 239p.
Denizens of Brussels - Residents of New-York, exhibition catalogue, preface: Jean-Luc Monterosso, Jacques Attali, Musées royaux des Beaux-Arts de Belgique, ed. SilvanaEditoriale, Bruxelles, Belgique, 2016,184p.
Andres Serrano, Ainsi soit-il, exhibition catalogue, authors: Daniel Arasse, Éric de Chassey, Éric Mézil, Collection Lambert, ed. Les Éditions de l’Amateur, Paris, France, 2015, 192 p.
Andres Serrano, exhibition catalogue, Palais Fesch, Musée des Beaux-Arts d’Ajaccio, ed. SilvanaEditoriale, Milan, Italy, 2014, 96p.
Bad Thoughts-Collection Martijn and Jeannette Sanders, Stedelijk Museum Amsterdam, 2014, p.31, illus.
Shit, exhibition catalogue, Yvon Lambert Gallery
Andres Serrano: Portraits de la Comédie-Française, ed. Gallimard, Albums Beaux Livres, Paris, France, 2007, 112p.
Andres Serrano, El dedo en la llaga, authors: Mieke Bal, Oliva María Rubio, exhibition catalogue, ARTIUM of Alava, Tecla Sala and PhotoEspaña, Araba, Spain, 2006, 210p.
Andres Serrano: Works 1985-2002, essay by Gerard A. Goodrow, Andre Simoens Gallery, Belgium, 2003.
Belvedere dell’arte / orizzonti, exhibition catalogue, Skira, Italy, 2003, p. 52-53 & 212-224, illus.
Only Skin Deep: Changing Vision of the America Self, Authors: Coco Fusco, Brian Wallis, New York, December, 2003
Pandemic: Facing AIDS, exhibition catalogue for "Pandemic: Imaging AIDS," Umbrage Editions and Moxie Firecracked Films, New York, 2003, p.195, illus.
Subjective Realities; Works from The Refco Collection of Contemporary Photography, The Refco Group, Ltd., New York and Chicago, 2003, p. 216-217, illus.
Andres Serrano: The Normal in the Strange, 40 4c pages illus. art works by Andres Serrano, 1988 - 2001, with bio & exhibition list, (German) published by Artmosphere, June 2002.
El Bello Genero, exhibition catalogue, Sala de Exposiciones Plaza de Espana, Madrid, April – June 2002, pp. 34 -37.
Le Livre du FRAC-Collection Aquitaine: Panorama de l’art d’aujourd’hui, Le Festin, 2002, p. 640-1, illus.
Rosiak, Mariusz, Still lives of the living: an attempt at a poetic dialogue with photographer Andres Serrano, Poznan: Galeriar, 2002.
Schneider Adams, Laurie, Exploring Art, London: Lawrence King Publishing, 2002, p. 150, 167-8, illus.
Smith A.T., Elizabeth, Pearlman, Alison, Rodrigues Widholm, Julie ed. Life Death Love Hate Pleasure Pain: Selected works from the Museum of Contemporary Art Chicago Collection, MCA, Chicago, 2002, p. 246-247.
The Great American Nude, exhibition catalogue, Bruce Museum of Arts and Sciences, Greenwich, CT: 2002, p.54, illus.
Votive: sacred & ecstatic bodies, exhibition catalogue, Adam Art Gallery, Victoria University of Wellington, Dunedin Public Art Gallery and the Curators, February, 2002, p. 10-11, illus.
A Disarming Beauty: The Venus de Milo in 20th Century Art, curated by Suzanne Ramljak, Salvador Dalí Museum: St. Petersburg (FL), 2001, p. 39, illus.
Give & Take, exhibition catalogue, Serpentine Gallery, Victoria and Albert Museum, London (1/30/01-4/1/01), p.34-35, illus.
Rosiak, Mariusz. Martwe natury zywych,(Still Lives of the Living) Poland, 2001.
American Perspectives: Photographs from the Polaroid Collection, exhibition catalogue from the Tokyo Metropolitan Museum of Photography, Tokyo, Japan, 2000, illus.
Appearance, exhibition catalogue, Galleria d’Arte Moderna Bologna, Edizione Charta, Milan, Italy, 2000, p. 27, pp. 130-147, illus.
Bordes inasibles:Diálogos acerca del cuerpo, cajAstur, Asturias, Spain, p. 51-53, illus.
Dormir/Sleep, Paris: Coromandel Press, 2000, illus.
Faith: The Impact of Judeo-Christian Religion on Art at the Millennium, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 2000, illus.
Frueh, Joanna ; Fierstein, Laurie ; Stein, Judith, The Modern Amazon, (exhibition catalogue) New Museum, New York, NY ; Rizzoli 1999, p. 13, 114, illus.
Hirsch, Robert. Seizing the Light: A History of Photography, McGraw Hill, 2000, p. 463, illus.
Information Design #6, Kadokawa Shoten Publishing Co., Japan, 2000, pp.88-89, illus.
Kinder des 20. Jahrhunderts (Children of the 20th Century), Galerie der Stadt Aschaffenburg, Mittelrhein-Museum, Koblenz, Germany, 2000, p. 171, illus.
MAN-Body in art from 1950-2000, exhibition catalogue from the ARKEN Museum of Modern Art, Skovvej, Denmark, 2000, illus.
Art Matters: How the Culture Wars Changed America, New York University Press, New York, 1999, cover illus.
Bal, Mieke. Quoting Caravaggio: Contemporary Art, Preposterous History, The University of Chicago Press, Chicago and London, 1999, illus.
Baum, Judith. This Other Being, Triton Verlag, Vienna, 1999, pp. 58-59, illus.
Inderlighetens Spill: Images of Religious Contemplation, exhibition catalogue from the Lillehammer Kunstmuseum, Lillehammer, Norway, pp. 38-42, illus.
Späte Freiheiten: Geshichten vom Altern, Neue Lebensformen im Alter, exhibition catalogue Historisches Museum Bielefeld and Schweizerisches Lnadesmuseum Zürich, Prestel Verlag, Münich, 1999, p.54, illus.
The American Century: Art & Culture 1950 - 2000, exhibition catalogue, The Whitney Museum of American Art, New York, New York, 1999, illus.
The Nude in Contemporary Art, exhibition catalogue from the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, 1999, illus.
Wallis, Brian, Marianne Weems abd Philip Yenawine, eds. Art Matters: How the Culture Wars Changed America, New York University Press, New York, 1999, illus.
Autumn Exhibition, exhibition catalogue from Galerie K, Oslo, Norway, 1998, illus.
Gould, Claudia and Valerie Smith, ed. 5000 Artists Return to Artists Space: 25 Years. Artists Space, New York, 1998.
Pure Essence and Presumed Innocence, exhibition catalogue from Marella Arte Contemporanea, Bergamo, Italy, 1998, illus.
Vile Bodies: Photography and the Crisis of Looking, exhibition catalogue from Channel Four Television, published by Prestel-Verlag, 1998,illus
Andres Serrano, exhibition catalogue/hand-out from the Fundacion Proa, 1997, illus
Angel: Angel, exhibition catalogue from Kunsthalle Wien, Austria, 1997, illus.
Allegory, exhibition catalogue from Joseph Helman Gallery, New York, 1997.
A History of Sex: A History of Andres Serrano, exhibition catalogue from the Groninger Museum, The Netherlands, 1997
Andres Serrano: A History of Sex, exhibition catalogue from Yvon Lambert Gallery, 1997, illus.
Absolute Landscape Between Illusion and Reality, exhibition catalogue from Yokohama Musuem of Art, Japan, 1997, pp.78-82, illus.
Bang! The Gun As Image, exhibition catalogue from Museum of Fine Arts, Florida State University, 1997, illus.
Breaking Barriers, exhibition catalogue from the Museum of Art, Fort Lauderdale, 1997, illus.
Finders Keepers, exhibition catalgoue from the Contemporary Arts Museum, Houston, pp. 148 - 149, illus., 1997.
In Visible Light, exhibition catalogue Museum of Modern Art, Oxford, 1997, illus.
Sum, exhibition catalogue from the Arhus Kunstbygning, Denmark, 1997, illus.
Searching for the Spiritual, Depree Art Center and Gallery, Hope college, Holland, Michigan, 1997, illus.
Views from Abroad: European Perspectives on American Art 3, exhibition catalogue from the Whitney Museum of American Art, New York, and the Tate Gallery, London, 1997. Essays by Nicholas Serota, Sandy Nairne and Adam Weinberg, illus.
Andres Serrano: The Morgue, exhibition catalogue from the Tel Aviv Museum of Art. Essays by Stephan Bann and Daniel Arasse, 1996, illus.
Andres Serrano, exhibition catalogue with an essay by Robert Hobbs, published by Malmö Konsthall, Sweden1996.
Andres Serrano exhibition catalogue from Muzej Suvremene Umjetnosti, Zagreb, with essays from Nada Beros and Tihomir Milovac, 1996, illus.
Exposure, exhibition catalogue from the Caldic Collection, Rotterdam, 1996, illus.
Fractured Fairy Tales: Art in the Age of Categorical Disintegration, exhibition catalogue published by Duke University Museum of Art, Durnham, North Carolina, 1996. illus.
Radical Images, exhibition catalogue from the 2nd Austrian Triennial on Photography, Neue Galerie am Landesmuseum Joanneum and Kunstlerhaus, Graz, Austria, 1996, illus. pp.152-153.
Urban Evidence: Contemporary Artists Reveal Cleveland, exhibition catalogue from the Cleveland Center for Contemporary Art, The Cleveland Museum and SPACES, Cleveland, OH, 1996, illus.
Urban Structures exhibition catalogue by the Kulturreferat München, Germany 1995, illus.
Art as Witness, The Spirit of Kwangju Resistance in May, exhibition catalogue from the first Kwangju Biennale, 1995.
Cuba: la isla posible, exhibition catalogue from the Centre de Cultura Contemporania de Barcelona, 1995.
Going For Baroque, exhibition catalogue from The Contemporary and The Walters, curated by Lisa G. Corrin. 1995.
Rosenthal, Mark. Critiques of Pure Abstraction, exhibition catalogue organized by Independent Curators Inc., New York,1995, illus.
The Body Photographic, exhibition catalogue from the Contemporary Arts Center, New Orleans, curated by Lew Thomas, 1995.
Vested Power: Icons of Domination and Transcendence, CD Rom produced in conjunction with the exhibition with the Main Art Gallery, CA., 1995
After Art: Rethinking 150 Years of Photography, exhibition catalogue from the Henry Art Gallery, University of Washington, Seattle, with essays by Chris Bruce and Andy Grundberg, 1994, p. 61 illus.
Andres Serrano: Works 1983-1993, exhibition catalogue from the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, curated by Patrick T. Murphy, essays by Robert Hobbs, Wendy Steiner and Marcia Tucker, 1994.
Andres Serrano, exhibition catalogue from the exhibition at Galerija Dante Marino Cettina, Umag, Croatia, 1994.
Black Male: Representations of Masculinity in Contemporary Art, exhibition catalogue from the Whitney Museum of American Art, curated by Thelma Golden,1994, p.59 illus.
Chasing Angels, exhibition catalogue from the Cristinerose Gallery, New York, with essay by G. Roger Denson, 1994, p. 31 illus.
Don't Leave Me This Way: Art in the Age of AIDS, exhibition catalogue from the National Gallery of Australia, text compiled by Ted Gott, 1994, p.73.
Face-Off: The Portrait in Recent Art, exhibition catalogue from the Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, essays by Melissa E. Feldman and Benjamin H.D. Buchloh, 1994, p.29,72, illus.
Gewalt/Geschafte, exhibition catalogue from the Neue Gesellschaft fur Bildende Kunst (German), 1994, pp.17-24.
Los Gèneros de la Pintura, exhibition catalogue from the Centro Atlàntico De Arte Moderno, Las Palmas, Gran Canaria, Spain, 1994, pp.55-58, 101, 103, 198.
Pictures of the Real World (In Real Time), exhibition catalogue from travelling exhibition curated by Robert Nickas, 1994.
25 Years: A Retrospective, exhibition catalogue from the Cleveland Center for Contemporary Art, 1993, p.16.
Gonzalez, Manual E. Photography by Cintas Fellows, exhibition catalogue from The Art Museum, Florida International University, curated by Dahlia Morgan,1993.
Hair, exhibition catalogue from the John Michael Kohler Arts Center Sheboygan, Wisconsin, 1993
Joachimides, C. M. and N. Rosenthal, ed. American Art in the20th Century: Painting and Sculpture, 1913-1993, exhibition catalogue from the Martin Gropius Bau, Berlin and Royal Acadamy of Fine Arts, London, Prestel-Verlag, p.145.
Stearns, Robert. Labyrinth of the Spirit, exhibition catalogue from the Hammond Galleries, Lancaster, Ohio, 1993.
The Naming of Colors, Essays by Kirby Gookin & Bill Arning, White Coloums Exhibition Catalogues, 1993
Vivid: Intense Images by American Photographers, exhibition catalogue from the Raab Galerie, Berlin; Raab Boukamel Galleries Ltd.,London; Gian Ferrari Arte Contemporanea, Milano, 1993, pp. 50-51.
Ethik und Ästhetik im Zeitalter von AIDS, exhibition catalogue from the Kunstverein in Hamburg and the Kunstmuseum Luzern, 1992.
Perils et Colères, exhibition catalogue from the capc Musée d'art contemporain de Bordeaux, September 1992.
Borden, Janet. Science Projects, Exhibition Catalogue, March 1989.
Ferguson, Bruce; Simon, Joan; and Smith, Roberta. Abstraction in Question, exhibition catalogue from The Ringling Museum of Art, Sarasota, FL, 1989.
Awards in the Visual Arts #7, exhibition Catalogue, 1988.
Castellote, Alejandro. Foco Madrid exhibition catalogue, Summer 1988.
Lippard, Lucy. Acts of Faith, exhibition Catalogue, January 1988.
Olander, William. Fake, exhibition Catalogue, May 1988.
Ludwig, Allen. Seeing is Believing, exhibition Catalogue, December 1986.
Liberty and Justice, exhibition Catalogue, February 1986.
Phelan, Robert. New Traditions, Exhibition Catalogue, December 1986.